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COSTUME
VIDEO
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FALSETTOS

SEPTEMBER 2019

DIRECTOR & CHOREOGRAPHER - Tara Overfield-Wilkinson LIGHTING DESIGNER - Nic Farman
VENUE - The Other Palace PRODUCERS - Selladoor Worldwide

Falsettos Set Design Final2.jpg

Falsettos Set Design Projection2.jpg

Instagram Feed :

💥With an explosion of misbehaving colour breaking out for Act 2!

HIGH SOCIETY @artsedlondon

Director: @ruperthands
Musical Director: Flynn Sturgeon
Choreographer: @robbie.j.mcmillan
Set Designer: @jason_denvir
Costume Designer: @pjbydesign
L

🏁 Keeping things monochrome with my costume designs for Act 1 of #HighSociety @artsedlondon

Director: @ruperthands
Musical Director: Flynn Sturgeon
Choreographer: @robbie.j.mcmillan
Set Designer: @jason_denvir
Costume Designer: @pjbydesign
Lig

🌿 Some concept-sketch-to-final-set comparisons for a few of the different locations that we needed to transform our base Riverbank structure into

As well as some of my ideas for the various vehicles that play a big part in Toad’s misadventur

🌿 Pitched as a tandem production with the Mayflower’s summer show Bugsy Malone; the design brief for Wind In The Willows certainly included a couple of interesting requirements for what I’ve realised is *technically* the first Christmas

⚽️ I debated whether to post this but technically it does count as design work and it might actually be some of the most personal design work I’ve ever produced

Anyone who’s spent a decent amount of time with me (or followed enough of m

⚽️ I debated whether to post this but technically it does count as design work and it might actually be some of the most personal design work I’ve ever produced

Anyone who’s spent a decent amount of time with me (or followed enough of m

⚽️ I debated whether to post this but technically it does count as design work and it might actually be some of the most personal design work I’ve ever produced

Anyone who’s spent a decent amount of time with me (or followed enough of m

📽️ A video design can sometimes be the hardest thing to show off on social media as often the best part of it is the movement it brings to a piece, which doesn’t translate fully to the production stills for obvious reasons

So, whenever I can

These images may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means without written permission from PJ McEvoy